JEAN-JACQUES ROJER

JJRojer cover web

Album: Soko
Label: Sunnyside Records
Vertrieb: Broken Silence
VÖ: 6. August 2021
 

 

Obwohl der Gitarrist und Komponist Jean-Jacques Rojer in Amsterdam wohnt, nur 50 Kilometer von dem Ort entfernt, an dem er 2003 sein Musikstudium am Königlichen Konservatorium in Den Haag abschloss, bleibt sein Herz fast 8.000 Kilometer entfernt in dem winzigen niederländischen Inselstaat Curaçao im südlichen Karibischen Meer. Für Rojer ist es die Heimat, in der er die einheimischen, in Afrika verwurzelten Rhythmen von Tumba, Danza, Tambú und Seú sowie den lokalen Muzik di Zumbi-Stil aufgesogen hat. 

 

Da er von einer langen Reihe gefeierter Musiker aus Curaçao abstammt (sein Vater Robert Rojer ist ein versierter Pianist und Komponist, sein Urgroßvater Jacobo Palm ist ein bekannter Multi-Instrumentalist und produktiver Komponist, und sein Ur-Ur-Ur-Großvater Jan Gerard Palm wird oft als "Vater der klassischen Musik Curaçaos" bezeichnet), war es wahrscheinlich eine ausgemachte Sache, dass Jean-Jacques in die Fußstapfen seiner Vorfahren treten würde. Doch der vielseitige und talentierte Musiker ging seinen eigenen Weg auf dem Weg zu Soko, seinem aufregenden afro-kuraçaoischen Jazzprojekt und seiner dritten Aufnahme als Leader.

 

Der Produzent Brian Bacchus stellte eine All-Star-Crew zusammen, bestehend aus dem erfahrenen Nuyorican-Bassisten John Benitez (Eddie Palmieri, Tito Puente, Ray Baretto, Pedrito Martinez), dem Vibraphonisten Warren Wolf (ein geschätzter Komponist und Bandleader und langjähriges Mitglied von Christian McBride's Inside Straight), Perkussionist und gebürtiger Curaçao Pernell Saturnino (Chick Corea, Paquito D'Rivera, David Sanchez) und der großartige Jeff "Tain" Watts am Schlagzeug, hatte Rojer seine ideale Mischung von Musikern für dieses anregende, sich gegenseitig befruchtende Projekt.

MUSICIANS:

JEAN-JACQUES ROJER: guitar

WARREN WOLF : vibraphone

JOHN BENITEZ: bass

JEFF “TAIN” WATTS: drums

PERNELL SATURNINO: percussion

 

TRACK LISTING:

Zumbi | Guiambo | Roce | Ruas | O ma charmante, épargnez-moi | Dindin | Soko | Caballo Viejo | Speak Low |Saliña | Brua

 

Jazz is an expression of the African diaspora, a music shaped by the movement of African culture over generations, utilizing cultural elements from wherever it happens to pass. The small Dutch-governed island nation of Curaçao is a meeting place for many cultures. European, Latin, and Afro-Caribbean people comprise a unique population with an eclectic musical culture. 

 

Guitarist Jean-Jacque Rojer hails from Curaçao. Born into a family of musicians and composers, music was an important facet of life from his earliest days. Naturally, the folkloric music of Curaçao crept into Rojer’s musical expression but he soon began to invest in the rich roots that informed that culture, from other Afro-Caribbean sources and the main stem itself, Africa. Rojer’s new recording, Soko, presents the culmination of those explorations and how they informed the young guitarist’s compositions and playing.

 

Rojer is the latest composer in his family’s long line of composers that spans over six generations. His great, great, great grandfather Jan Gerard Palm was the father of classical composition in Curaçao. His great grandfather Jacobo Palm and father Roberto Rojer continued the classical legacy for the family. When his father tried to pass down the piano tradition, Jean-Jacque rejected it, preferring to apply his musical pursuits to the guitar and rock music. 

 

Upon discovering jazz, Rojer was hooked and invested himself fully in its study. He studied at the University of Netherlands Antilles before he eventually matriculated to The Royal Conservatory of Music in the Hague. Since then, Rojer has been a regular in the Amsterdam and Curaçao jazz scenes.

 

It was during the North Sea Jazz Festival Curaçao that Rojer met New York based producer Brian Bacchus. The two were mutually interested in recording a project that could condense Rojer’s wide-ranging musical esthetic with the aid of an incredible New York based band. The ensemble highlights the diversity the project demanded and included Nuyorican bassist John Benitez, vibraphonist Warren Wolf, Curaçaoan percussionist Pernell Saturnino, and drummer Jeff “Tain” Watts.

 

The music of Soko shows Rojer’s balanced approach to the music of his home. His compositions show the guitarist’s command of idioms that make up his musical background, from the classical inspirations of his father and grandfather to the Latin tinge stemming from his mother’s Venezuelan heritage. 

 

The recording begins with the dynamic “Zumbi,” a piece written based on Curaçao’s ancient muzik di zumbi musical style that features Wolf’s dynamic vibes and Rojer’s guitar over a percussive background and subtle strings over a bed of percussion. The grooving “Guiambo”’s title comes from a gumbo like dish from the island and the ensemble utilizes a New Orleans bounce to spice it up. The lovely “Roce” is a laidback bolero that takes more than a hint from the smooth sounds of the 1970s. With a baião rhythm straight from the streets of Brazil, “Ruas” is a snappy and swinging piece that shows off Rojer’s bright guitar and Watts’s flexibility behind the kit. 

 

A tribute to one of music’s greatest cultural fusers, Creole composer Louis Moreau Gottschalk’s “O ma charmante, épargnez-moi!” is modernized with a new reharmonization and percussive accompaniment by Saturnino. Rojer’s Latin chops are on full display on “Dindin,” an attractive descarga named for a regular Curaçao meeting place for musicians, here providing a wonderful meeting of soloists Wolf and Rojer. The title track “Soko” takes its name from the Swahili word for marketplace, the music echoing a market’s activity with layers of percussion and different instrumental characters. 

 

Simón Díaz’s “Caballo Viejo” is a popular folk tune from Venezuela that Rojer steers into a more Afro-Caribbean vibe, switching the typical joropo rhythm with a 7/4 clavé. Kurt Weill’s standard “Speak Low” takes on a new character with 6/8 pulse and driving Benitez bass. The difficult “Saliña” is a unique fusion of mazurka and zouk rhythms, Eastern Europe meeting French Caribbean in a winding, dancing composition. The recording concludes with “Brua,” a tricky, Lennie Tristano inspired piece that takes the famed pianist’s rhythmic freedom and applies it to a Latin rhythm. 

 

It is inspiring when a mix of such unique elements comes together in such an inspiring way. Jean-Jacques Rojer takes musical elements from the broad swath of the African diaspora to create his unique take on jazz, a swinging mix of Afro-Caribbean, Latin, and swinging pulses, on his new recording, Soko.

 

 

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