SalifKeita cover web

Album: un autre blanc
Label: Naïve/ Believe
Vertrieb: Soulfood
VÖ: 11. Januar 2019
After a life of tribulations because of his difference, Salif finally celebrates what he is, “Another White”, and calls on the world to celebrate Difference with him.
Nach 5 Jahren Pause ist SALIF KEITA mit neuem Album und prominenter Verstärkung zurück! Mit einem Titel wie »Ein anderes Weiß« zeigt Salif Keita schon von Beginn an, mit welchem Selbstbewusstsein der afrikanische Albino auf seinem neuen Album zu Werke geht.
Mit starken Gästen wie Angélique Kidjo, MHD, Ladysmith Black Mambazo und Yemi Alade besteht auch überhaupt keine Veranlassung, sich mit Lobeshymnen zurück zu halten: Un Autre Blanc ist ein meisterliches Comeback-Album im 50.Jubiläumsjahr des Weltmusik-Königs SALIF KEITA.

Rail Band of the Train Station Hotel, Ambassadeurs of the Motel of Bamako, Ambassadeurs Internationaux, and lately, Les Ambassadeurs Internationaux: so many bands that enabled Salif Keita to ascend the steep steps to world fame. Not only do their names suggest a quest, a thirst for mobility and travel, they translate also his burning desire, as a person with albinism, the white man with the deep soul of Black Africa, to escape from a society that was denying him his full rights as a human being. Paradoxically, the names of these bands also express Salif Keita’s uncompromising pride of belonging to Mali and Manden, the legendary land of his birth, whose captivating Humanism he has been championing around the world for several decades now.

But how can one speak about Salif Keita the poet without borrowing his own words? From a Parisian recording studio in 1986, he loudly proclaimed: Sina, O Sina, i den to le jamanakè do”/ Sina, O, Sina, your son is lost far away from home.” Five years later, not only this son of Sina the Master hunter and sweet Nassira Keita had not lost his way, he only had reassuring words for his Spiritual Teacher: “O, Karamoko, taama diyara”/ “O, Master, my wanderings have borne fruits.”

Having left at a very young age his native Djoliba in the late sixties, first village chosen to be rebuilt by the American US AID right after Mali’s independence, the traveling bird of Mandé has gone around the world, safely perching, as he said, on one tall tree, that of Knowledge, Lony, where the rocks thrown by mean people could not reach him.

And 40 years after his delightful and ageless Mandjou (1978), let’s recall some of the many jewels this master-­‐wordsmith, the Malian King Midas, has chiseled for us: Soro (1987), Amen (1991), Folon (1995), Papa (1998), Moffou (2002), La Différence (2009) et Talé (2012). And so many memorable collaborations: Joe Zawinul, Steve Hillage, JeanPhilippe Rykiel, Carlos Santana, Cesaria Evora, Wayne Shorter, Ibrahim Maalouf, Vernon Reid/Living Colour, Philippe Cohen Solal, and of course, Esperanza Spalding. Let’s not forget his many hits remixed and popularized even further by world-­‐renowned DJs such as Funk Mob, Frédéric Galliano, Martin Solveig and Lucia.


And along the way, Salif has bagged countless awards, national distinctions and prizes over his decades of touring the world, establishing his reputation as the Golden Voice of Africa, the Patriarch and the undisputed Ambassador of African music.

Here we are. Forty years later and another milestone, Un Autre Blanc, the  new album that Salif Keita has announced as his last. Ready to celebrate 50 years of a stellar career in music and soon to be seventy, and perhaps as a way of winding down, Salif Keita wishes to spread out his mat under the mango trees of the banks of the Niger river, to indulge in his favorite game of draughts. A well-­‐deserved rest, to be sure, for the Prodigy(N’an kama) of Djoliba but should we really believe that this beautiful album will be the last word of a most prolific poet, whose luminous voice has carried hope, even as far as the cells of Robben Island?


This album of 10 brand-­‐new tracks continues Salifs advocacy for the human rights of people with Albinism, a fight his Foundation for Albinism pledges to intensify, especially since the UN has declared June 13 the International Albinism Awareness Day. Salif is protesting the continued abduction and killing of albinos in a number of African countries for purposes of witchcraft and financial profit. He decries the fact that local witch doctors often purposefully spread and perpetuate misconceptions and superstitions for personal gain, and in some cases, family members of these innocent victims being complicit in these crimes.

Chérif Keita, Ph.D – September 2018

William H. Laird Professor of French and the Liberal Arts, Carleton College, USA Author of Salif Keïta, l’ambassadeur de la musique du Mali (Paris: Editions Grandvaux, 2009) and Outcast to Ambassador: The Musical Odyssey of Salif Keita (Amazon: CreateSpace, 2011 

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